REGISTRY
The D'Artagnan 5.1 is a 6-channel amplifier, capable of producing 1000 watt of power. It had a suggested retail price of $1299. Released in the late 90's to early 2000 and only 100 were produced as it was considered a flagship, boutique, theater‑grade 5.1 amplifier. It is one of the rarest Folsom/Tempe‑era Soundstream amplifiers - even rarer than most Rubicon and Reference series models.
N02H01110084
123450394
N03D0111106
XDKD017
unknown
unknown
N03D0111067
N03D0111075
N03D0111106
N02H01110176
N02H01110131
Jim Treadway
Joe Wyatt
Danny Samuels
Michel Labat-chaure
Jeff Little
Jeff Little
Bobby Hayes
Bobby Hayes
Shawn Atkinson
Jan-Erik Pekkola
Joe Mehl
Pennsylvania, USA
Illinois, USA
Indiana, USA
Toulouse, France
Washington, USA
Washington, USA
New York, USA
New York, USA
Ontario, Canada
unknown, Finland
Pennsylvania, USA



A D'Artagnan repainted with champagne automotive paint. The plexi is a nice touch.






SPECS:
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Dual Fully regulated, MOSFET power supply
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RUBI ( Rapid-Use Branched Impulse ) Proprietary power supply topology
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STACT ( Stabilized Apex Current Topology ) Reduces power supply stress by 50%
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Auto High Current Matches the amplifier for virually every load application
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Chassisink Transistors are located between circuit board and heat sink for optimal heat dissipation
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Variable Input level controls for exact input match to amplifier
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Hawkins Bass control Proprietary bass equalization topology
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Harmonic Bass Alignment Produces tighter and more accurate bass reproduction
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Trident amplifier protection topology
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IDI ( Intelligent Distress Indicator ) gives visual conformation of protectino status
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Balanced Line inputs for the highest level of noise rejection
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Platinum 4 gauge power inputs
10Hz – 30 kHz frequency response
>100dB S/N ratio• 0.02% THD




Released in the late 90’s to early 2000 and only 100 were produced. That makes it one of the rarest Folsom/Tempe‑era Soundstream amplifiers even rarer than most Reference and Rubicon series models. Why was the production was so low? It was a flagship, boutique, theater‑grade 5.1 amp, expensive to build. It used dual fully regulated MOSFET supplies, STACT, Hawkins, and Chassisink - all labor intensive. Soundstream was nearing the end of its USA manufacturing era, so the run was cut short.