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The D'Artagnan 5.1 is a  6-channel amplifier, capable of producing 1000 watt of power. It had a suggested retail price of $1299. Released in the late 90's to early 2000 and only 100 were produced as it was considered a flagship, boutique, theater‑grade 5.1 amplifier. It is one of the rarest Folsom/Tempe‑era Soundstream amplifiers - even rarer than most Rubicon and Reference series models. 

N02H01110084

123450394

N03D0111106

XDKD017

unknown

unknown

N03D0111067

N03D0111075

N03D0111106

N02H01110176

N02H01110131

 

Jim Treadway

Joe Wyatt

Danny Samuels

Michel Labat-chaure

Jeff Little

Jeff Little

Bobby Hayes

Bobby Hayes

Shawn Atkinson

Jan-Erik Pekkola

Joe Mehl

Pennsylvania, USA

Illinois, USA

Indiana, USA

Toulouse, France

Washington, USA

Washington, USA

New York, USA

New York, USA

Ontario, Canada

unknown, Finland

Pennsylvania, USA

A D'Artagnan repainted with champagne automotive paint.  The plexi is a nice touch.

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SPECS:

  • Dual Fully regulated, MOSFET power supply

  • RUBI ( Rapid-Use Branched Impulse ) Proprietary power supply topology

  • STACT ( Stabilized Apex Current Topology ) Reduces power supply stress by 50%

  • Auto High Current Matches the amplifier for virually every load application

  • Chassisink Transistors are located between circuit board and heat sink for optimal heat dissipation

  • Variable Input level controls for exact input match to amplifier

  • Hawkins Bass control Proprietary bass equalization topology

  • Harmonic Bass Alignment Produces tighter and more accurate bass reproduction

  • Trident amplifier protection topology

  • IDI ( Intelligent Distress Indicator ) gives visual conformation of protectino status

  • Balanced Line inputs for the highest level of noise rejection

  • Platinum 4 gauge power inputs
    10Hz – 30 kHz frequency response
    >100dB S/N ratio• 0.02% THD

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Released in the late 90’s to early 2000 and only 100 were produced.  That makes it one of the rarest Folsom/Tempe‑era Soundstream amplifiers even rarer than most Reference and Rubicon series models.  Why was the production was so low?  It was a flagship, boutique, theater‑grade 5.1 amp, expensive to build.  It used dual fully regulated MOSFET supplies, STACT, Hawkins, and Chassisink - all labor intensive.  Soundstream was nearing the end of its USA manufacturing era, so the run was cut short.

©2026 Soundstream Registry
est. 2018
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